TEHRAN - Historically, Ilam has been renowned for its Kilim production, a craft that dates back centuries. However, the embossed kilims (locally named Gilim-e Naqsh Barjasteh) represent a relatively recent development in the region’s artisanal landscape.

This innovative style was pioneered by a skilled weaver named Sahar Chalengar. Through her ingenuity, Chalengar introduced an embossed motif into the traditional Kilim by integrating carpet knots into the weaving process. Her unique approach quickly gained popularity, revolutionizing the craft and spreading across Ilam province.

The creation of embossed kilims involves a distinctive technique that sets them apart from traditional Kilims. The background of these Kilims is woven using a conventional method known locally as “Sufi Bafi.” The motifs, however, are crafted using Turkish carpet knots, which naturally make them stand out in relief against the flat background. This embossing effect adds a three-dimensional quality to the Kilims, enhancing their visual and tactile appeal.

The primary materials used in embossed kilims are wool, cotton, and sometimes silk yarn. These materials are sourced from local cattle farmers, ensuring a close connection between the weavers and their environment. Wool is used both in its natural color and dyed with natural and chemical pigments. The dyeing process often involves the use of white alum to stabilize the colors, ensuring they remain vibrant and long-lasting.

The process of making an embossed kilim begins with the installation of the loom. While both vertical and horizontal looms can be used, vertical looms are now more commonly chosen. The Kilims are woven based on symmetrical patterns, and unlike simple Kilims, they allow for the inclusion of cursive motifs. These motifs include traditional designs such as “Lachak – Toranj” (paisley), “Goldani” (vase), “Gol-e Farang” (rose flower), “Naghsheh Ghalat,” “Botehee” (bush), “Mehrabi,” and various floral, animal, and figurative motifs.

The aesthetic appeal of embossed kilims is further enhanced by the use of bright and vibrant colors. Shades like cream, red, light blue, white, green, pink, and orange dominate the palette, with darker colors such as brown, black, or blue used sparingly to accentuate the brightness of the primary colors. This careful balance of hues adds to the dynamic and striking appearance of the Kilims.

The value of embossed kilims can be increased by combining different motifs or experimenting with various materials. This adaptability has helped the craft flourish in several cities within Ilam province, including Ilam, Dehloran, Shiravan, Darreh Shahr, Mehran, and Abdanan. Each Kilim not only serves as a beautiful piece of art but also as a cultural artifact that reflects the rich history and evolving artistry of the region.

In conclusion, embossed kilims from Ilam are a remarkable fusion of tradition and innovation. They represent the skill and creativity of Ilam’s weavers, who continue to honor their heritage while embracing new techniques and styles. These Kilims are more than just decorative items; they are a vibrant expression of the cultural identity and artistic legacy of Ilam province.

AM