TEHRAN - Aga Khan Museum in Toronto has put on show an array of Muslim art that dates from the 9th to 19th centuries.

Along with Iranian objects, it showcases the artistic achievements and lasting legacies of Muslim civilizations created from Spain in the west to China in the east.

Among the highlights is a 16th-century Iranian painting depicting lovers Shirin and Farhad on Mount Bistun, Painted by Ghiyath Mudhahhib in Shiraz, in 1526. It is a manuscript of the story of Farhad and Shirin — Persian lovers from different socioeconomic backgrounds and the subjects of a story told by 12th-century Persian poet Nizami.

Titled “Inside/Outside”, the exhibit showcases nearly 200 objects such as manuscripts, paintings, ceramics, glass, and textiles intended to provide an overview of the artistic, intellectual, and scientific contributions of Muslim civilizations to world history and heritage.

“Inside/Outside showcases masterpieces from the Museum's Collections and on loan, which explore historical ideas and experiences surrounding the many meanings of being inside or outside — from a mesmerizing robe made of paper mâché to newspaper publications from the late 19th to early 20th centuries in Iran.” 

Shirin Visits Farhad on Mount Bistun, Painted by Ghiyath Mudhahhib, Shiraz, Iran, 1526. (Credit: Aga Khan Museum)

According to organizers, the terms “inside” and “outside” hold many meanings depending on social, cultural, and individual values and experiences. They can define physical boundaries, such as the living spaces of a building, or geographical and political borders between regions. They can also carry social and cultural connotations — evoking either a sense of belonging or a feeling of exclusion from a community group. 

Also, the event, running through March 31, 2024, features interventions by contemporary artists that spark dialogue between the past and present.

 AFM